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The Phantom Of The Opera The Music Of T

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... the opera that he became a musical prophet. Monteverdi was the innovator of an altogether new concept in dramatic music and drew more of its performative attitudes from musicals and opera as well as classical music than country or blues as true opera in Western music and indirectly led to the style of composition known as the basso continuo. poverty and died in 1760. (Wolff, 56) The only music of his time that Bach did not compose was the dramatic music of opera and oratorio. His music opened new composed symphonies, operas, chamber music, and church music. Haydn, however, delved deeper into sacred works than did ...



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Sources list for THE PHANTOM OF THE OPERA THE MUSIC OF T:

Riley, Philip J. "Gaston LeRoux, Faust and the Phantom." The Making of `The Phantom of the Opera.'" MagicImage Filmbooks. 1999. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

Leroux, Gaston. The Phantom of the Opera. New York: Harper Collins Publishers. 1988.
"The Phantom of the Opera"

"A review of The Phantom of the Opera." The Nation. Vol. XCII. 1911. Reprinted in Twentieth-Century Literary Criticism. Vol. 25. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

Kelly, David. "Critical Essay on The Phantom of the Opera." Novels for Students. Vol. 20. 2005. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

Mundy, John (1999) `Popular music on screen: From Hollywood musical to music video' Manchester University Press, Manchester. ISBN 0-7190-4029-9
The Music Video

 

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